Photo by William Eggleston
Backseat Driver
Kimberly Wang
All polyester strains and rough cotton,
safety first, that sound click,
the pressure on my chest from leaning
too far forward, as always
my outstretched hand,
this is the closest we are to contact
the seat between us empty
and my nails along the indentations 'middle'
- what a structure of white keratin
a lattice a coil a B-pleated sheet
the geometry of your folded legs is with me still
reflected now in the structure of failed trusses.
Sometimes I wake writhing in blankets
and in the shower, I find bruises.
It is easier to talk in the dark,
the contoured shadow of our five-seater Toyota
thrown each time we pass a street lamp.
You can't see the light go out in somebody's eyes.
I took my words back, but even then
you had to know
that some nights hold darkness like a cool well,
a cold hand a wet towel on the forehead
on burning eyes from a fever spread.
Other nights breed dreams of deception
and I wake fearing that I have always
been the villain.
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Sitting by the Window, Florida Summer
Sarah Van Name
Mr. Peters, widowed, getting on in age,
keeps kids’ bicycles in his house across the street.
Fixed-gear, red-blue, spokes broken.
They fly up and down the road in the summer morning.
But the rainy season has settled in strong
and mid-afternoon brings the sweet smell of acid and ozone,
and ocean-colored light.
They flutter in like dragonflies,
park their bikes by the Buick,
and scatter – pool balls after the strike –
jackets pulled over their heads,
back to houses without garages.
I see the bikes, silver and leaning,
in the dark after a late-coming rain.
That I could keep you like this in warm yellow light.
That I could hold you, like crickets hold nightsongs,
after every storm.